Tape the sides of the neck heel. I like the paper as it is less prone to wrinkles. I've found the best way is to lay the neck into the template and lining up a straight edge to the side. The "C" shape is a balance of vintage and modern with a wide and quick feel. If you prefer to use the more modern system taking into account string diameters you may want to use something like the Stewart MacDonald string spacing rule (part #0673). The whole process takes about 30 minutes. First time building a neck? The EVD Neck Contour Templates are the result of this research. The heel profile is marked on the heel of the neck blank. Thickness: 0.915", 1st fret - Width: 1.715". In association with Edward Victor Dick of Victor Guitar , and Director of The Colorado School of Lutherie, Luthier Suppliers now offers a first time builder, or an experienced builder the chance to replicate a part of history. let’s get started build an electric guitar. Along these two lines, make two sets of tick-marks a set distance from an arbitrary fret and repeat on the opposite side. A modern favorite! A good tool when I make necks. Trim routing with the template . This neck is a beautiful example of an early 1960s Fender Stratocaster: the perfect "B" (1-5/8") width, comfortable oval shape, and full but fast depth. There you have it. Make sure the putty doesn’t wrap around the edge of the fingerboard I typically cut right on top of the line or just outside. Lastly, smooth it out by working the putty knife from the side of the neck and down-and-over the hardboard all around the neck. We also measured the thickness of the neck with the fretboard, and etched the measurements on the tool. We've got everything you need. Rough shaping the back of the neck . Some necks are asymmetrical, whether by intention or by accident, and these asymmetries are indicated with B for bass side and T for treble side. 1992 Stratocaster C Profile Once the entire gap is filled all the way to the edge you're done. Save on Over 900 Items, Neck Shaping Templates for Electric Guitar, Neck Shaping Templates for Acoustic Guitar, Torrefied Maple Electric Guitar Neck Blanks, Find the proper fret position with the official Stewart-MacDonald Fret Calculator, Stewart-MacDonald is PCI compliant and validated for secure e-commerce, Exact neck profile at the 1st, 7th, and 12th frets, Neck thickness dimensions at the 1st, 7th, and 12th frets, Neck thickness dimensions at key locations, 1st fret - Width: 1.705". With the template attached, use a router table and a 2" straight bit with a ball bearing mounted at the end. Leave it alone, let it cure and clean up - especially removing putty from the putty knife. There's a wedge underneath the peghead to support it. To see a list of all neck templates available for sale: Similar to, but slightly bigger than most tenor banjo necks, A rare example, could also be used as an octave mandolin, A very slim neck popular amongst people who play mostly electric guitars, A shorter scale length and thicker than a similar period OM, Narrower but thicker than its modern equivalent, Similar to S1.639 but a bit bigger all the way around, Similar in width to a modern Martin but slightly thicker and more V shaped, A fairly narrow semicircular neck, particularly good for bar chords, Works well for Tommy, who has his action set very low with no neck relief, A very strong radius on fingerboard makes it excellent for bar chording, Similar to, but thicker and wider, than its modern equivalent, Strong V shape with wide string spacing at the bridge, A good example of what modern finger style players prefer, A good generic neck, comfortable with a variety of playing styles, The holy grail of finger style guitars with a very slight V shape, A popular guitar and an even more popular neck, A touch wider than most Goodall's™ with a shorter scale, Wider than most at the nut; particularly good for modern finger style, Fairly thick and wide neck good for those with extra large hands, A typical Martin neck just before the advent of truss rods, One of the slimmest 12 string necks on the market, The strongest V shape in the entire collection, great if you like to fret the bass string with your thumb, A touch wider than the Larivee at both the nut and the bridge, Slim D shape, hybrid electric nylon string, Rounder than the Taylor, with similarly radiused fingerboard, hybrid jazz classical, Thinner and narrower than most concert classicals; this guitar was originally owned by Paco de Lucia, Slimmer and rounder than most concert classicals, very slightly radiused fingerboard, Big neck with an extra long scale for big hands - it worked for Segovia, Another big neck but with a rounder profile and a normal scale by one of Mexico's premier luthiers, Extra bass string, string spacing similar to his Pearl Model, Extra treble and bass string, with slightly narrower string spacing than his 7 string, Humongous neck, bass strings are tuned diatonically like a theorbo and rarely fretted, Much shorter scale and narrower than a Fender, good for small hands, A touch narrower and thinner than most Fenders, Considered by some to be the most versatile neck ever made, Thicker than most Strats, especially at the nut end, Rounder profile than a Fender, with a shorter scale, Very thin and flatter on the back than a Fender™, Bigger all around than most electrics, a true acoustic/electric, 4 neck contours @ frets # 1, 4, 5, & 15 - excellent example of a traditional bluegrass banjo, 3 neck contours @ frets # 1, 5, & 15 - slightly bigger all the way around than B1.187 for a more contemporary feel, 4 neck contours A frets # 1, 4, 5, & 14 -excellent example of a modern clawhammer style banjo, Narrow by modern standards with an almost flat fingerboard, Thinner than the Loar with a strongly radiused fingerboard, Wider string spacing @ the bridge than the Loar, radiused fingerboard, Stronger V shape than the Loar with slightly wider string spacing, radiused fingerboard, Significantly wider string spacing @ the bridge and rounder than a Gibson, Radiused fingerboard, wider string spacing than the Trinity College version, Wider @ the nut but narrower @ the bridge than the Anderson, V shape, 7605 E Kenyon AveDenver, CO 80237email: [email protected]: 720-256-8470. EJ Fender Stratocaster number, It is important to note that each of these templates document an actual neck. Line up the Hardboard with the cut pocket around the neck leaving an even gap all around. Mark a line along the straight edge. Thickness: 0.795", 10th fret - Width: 2.050". The system I use is developed for maximum flexibility. Much more important is being able to fill the crack. I've found the best way is to lay the neck into the template and lining up a straight edge to the side. I use a Scotch (by 3M) clear heavy duty packing tape about .003" thick and regular smooth office tape. Care must be taken to avoid separating the template board Sturdy. Thickness: 0.875". As mentioned earlier, aim for 12 x 10 inches, give or take. Buy 5, get 1 free(to receive this discount you must Contact me to receive an invoice via Paypal). Its time for me to make my own guitar necks, and get Hayley Guitars rolling. By adding physical material in the gap, the pressure from packing has a harder time pushing the neck and board out of alignment. The neck after the grooves have been cut 1959 Gibson® Les Paul® Standard Very useful to check the caliber of the neck of the guitar. I was Sceptical at first, but they really did help on my Tele neck:). You can either center the string spacing at the nut or, if you prefer, sneak it over to one side or the other as is sometimes done. The neck is thinned linearly between the two grooves. and the points at which the fingerboard meets the neck shaft. Most templates are 5 3/4" width x 3" height x 1/16" thick. 1960s Silvertone 1449 where the trussrod groove ends. Fender's most popular pick shape in different materials. Wax or parchment paper is used as a barrier so the Epoxy putty won't stick to your tabletop. Actual dimensions of each template may vary due to the width of the neck or number of strings. 1962 Gretsch Tennessean For actual size see numbers . Thickness: 0.885", 1st fret - Width: 1.640". Easier to carve and identify neck profiles. Make a Guitar Template - the Nuts & Bolts. All templates are cut on a laser machine and are cut within 20 thousands of an inch of tolerance. The full "C" shape stays consistent over the entire length of the neck. I use my fingers to “pinch” the putty Thickness: 0.875", 1st fret - Width: 1.730".
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