All Quotes His attitude can sometimes be entirely disparaging: "From the beginning, nothing has been more alien, repugnant, and hostile to woman than truth—her great art is the lie, her highest concern is mere appearance and beauty." Zapffe called anchoring, which is a “fixation of points within, or construction of walls around, the liquid fray of consciousness”, “the happiest…protection against the cosmos that we ever get to know in life…” The earliest and primary anchoring point is the home and neighborhood one grows up in. Nietzsche Quotes. By protecting one’s self from the terrible truths of human existence, one may also be protecting one’s self from experiencing life more fully, deeply, and joyfully. Short Quotes About Beauty. Life is a game - play it. Nietzsche, one such genius, spent much of his life in extreme states of suffering, writing “I am more a battlefield than a man.” He suffered physically due to his weak disposition and extreme migraines, as well as emotionally due to his self-imposed solitude, and psychologically due to his complete lack of recognition among his peers. Friedrich Nietzsche was a German philosopher, essayist, and cultural critic whose writings had a major influence on Western philosophy and intellectual history. remarked in her memoir, published 7 years after his death: In the eighties, when Nietzsche's later writings containing some of the oft-quoted sharp words against women appeared, my husband sometimes told me jokingly not to tell people of my friendly relations with Nietzsche, since this was not very flattering for me. Ida von Miaskowski, cited in S. L. Gilman (Ed. Friedrich Nietzsche's views on women have attracted controversy, beginning during his life and continuing to the present. But instead of focusing on putative misogyny she opines: Much more [...] must be thought to affect everything Nietzsche writes about woman. This world: a monster of energy, without beginning, without end; a firm, iron magnitude of force that does not grow bigger or smaller, that does not expend itself but only transforms itself; as a whole, of unalterable size, a household without expenses or losses, but likewise without increase or income; enclosed by “nothingness” as by a boundary; not something blurry or wasted, not something endlessly extended, but set in a definite space as a definite force, and not a space that might be “empty” here or there, but rather as force throughout, as a play of forces and waves of forces, at the same time one and many, increasing here and at the same time decreasing there; a sea of forces flowing and rushing together, eternally changing, eternally flooding back, with tremendous years of recurrence, with an ebb and a flood of its forms; out of the simplest forms striving toward the most complex, out of the stillest, most rigid, coldest forms striving toward the hottest, most turbulent, most self-contradictory, and then again returning home to the simple out of this abundance, out of the play of contradictions back to the joy of concord, still affirming itself in this uniformity of its courses and its years, blessing itself as that which must return eternally, as a becoming that knows no satiety, no disgust, no weariness: this, my Dionysian world of the eternally self- creating, the eternally self-destroying, this mystery world of the twofold voluptuous delight, my “beyond good and evil,” without goal, unless the joy of the circle is itself a goal; without will, unless a ring feels good will toward itself— do you want a name for this world? You can shut it out for a time, but it ain't goin' away. “To those human beings who are of any concern to me I wish suffering, desolation, sickness, ill-treatment, indignities—I wish that they should not remain unfamiliar with profound self-contempt, the torture of self-mistrust, the wretchedness of the vanquished: I have no pity for them, because I wish them the only thing that can prove today whether one is worth anything or not—that one endures.”, “It is a self-deception of philosophers and moralists to imagine that they escape decadence by opposing it. All truth passes through three stages. Each time, I had wept too much on my previous day’s walk, not sentimental tears but tears of joy; I sang and talked nonsense, filled with a glimpse of things which put me in advance of all other men.” (Selected Letters of Friedrich Nietzsche). Most of the time, these mechanisms successfully fulfill their purpose of limiting the content of consciousness. The great point is to bring them the real facts. In the latter part of the video we examine some of the consequences that arise in cases when these mechanisms fail, paying particular attention to how this relates to the creative genius.
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