The biggest problem has been the efforts of preening BBC directors to put their own ' interpretation' on James' stories instead of just putting the story on the screen, Ghost Stories for Christmas adaptations being the usual offenders. Reviewed in the United Kingdom on June 17, 2017, Reviewed in the United Kingdom on March 13, 2014, One of my all time favourite ghost stories in a film that scares me still, watch at Christmas on a windy night you will love it, Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. Whistle & I'll come to you (2010) Can't understand the negative reviews of this decent,imaginative ghost story.For me the presence of John Hurt as the main character,Parkins makes this made for tv effort a very enjoyable ride. A chilling new single drama, Whistle and I'll Come to You is the thoroughly modern re-working of the evocative Edwardian ghost story Oh, Whistle and … The heart of the story is the folly of arrogant presumption, that there will always be realms of understanding beyond mortal man, and to believe you can quantify existence is to invite downfall. Add to this the very capable cast headed by John Hurt and Gemma Jones and some excellent location shoots, and there is much to otherwise praise. After placing his ailing wife Alice (Gemma Jones) in a care home, retired academic James Parkin (John Hurt) goes to stay at a wintry out-of-season hotel which they used to visit together. A young orphan, Stephen, is sent to go and live with his strange, much older cousin at his remote country house. My contributions to this new Spanish language book on giallo films include an interview with Dario Argento and an essay on his film 'Tenebrae' (1982). I suppose some people are giving it low rankings because they object to it being a fairly loose adaptation of the short story. The character's ultimate fate is seemingly more extreme, yet far more simplistic and obvious, undercutting the psychological ramifications of his plight.The 'ghost' of the story is equally less subtle and, by the climax of the tale, extremely more quantifiable than its antecedent, of which one understands no more by the end than they did when it first appears. I think it's important to begin by saying that the BBC's efforts to bring the classic ghost stories of M.R. Nothing could be further from the truth. A splendid performance from Michael Hordern. Just sit there listening to your heart beat and know you spent the last 50 minutes better off than watching this movie. It sticks reasonably closely to the story but much of what went to bolster the story and build the atmosphere was stripped out, presumably to allow Michael Horden to mumble a bit more. Given that Miller's 'Whistle and I'll Come to You' is considered a classic of British television drama, remaking it might seem rather risky, but wisely the new version written by Neil Cross - and also called 'Whistle and I'll Come to You' - doesn't try to imitate it. Along with the accompanying video it once again demonstrates Kate Bush’s singular vision as a musician, an artist - and a lover of horror. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Most of us already know that. The BBC has filmed the story twice as Whistle and I'll Come to You, firstly in 1968 in a version directed by Jonathan Miller and starring Michael Hordern, and again in 2010 starring John Hurt and Sophie Thompson. But he doted on her. It seems unfairly maligned for being flexible with the source material as well different to the 1968 version, yet it seems that this is only born out of adoration for the originals rather than any real genuine criticism of the adaptation. . And the acting of John Hurt, Gemma Jones and Lesley Sharp is impressive, though I think all three have been better. And then he dies of fright. It appears late in the story, as Charles Halloway is talking to his young son Will about the duel nature of mankind. But who is the avenger? Then for no apparent reason he begins to be haunted by invisible rats. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Whistle and I'll Come to You is the title of two BBC television drama adaptations based on the ghost story "Oh, Whistle, And I'll Come To You, My Lad" by the writer M. R. James. Why did he put her in a home? Whistle and I'll Come To You by Cat House Films Ltd. 0:48. It's many years since I read the M.R. It's polished like the silver and looks lovely; the class divide and its interdependency is endlessly fascinating. Producing a piece about the grief of aging and dementia is surely a worthy cause in itself, but who on earth had the idea of hitching this topic to a classic ghost story that, in its original form, does not offer the slightest connection to such themes? So long as some vague continuity with these components was maintained, it seemed perfectly reasonable to completely rewrite both story and characterization to the point where the result was a pale shadow of its former self yet could still be legitimately broadcast under the same title.The Neil Cross teleplay, in which the action is relocated to the present day, sees a Professor James Parkin committing his wife, apparently suffering from advanced senile dementia, to a care home before taking a long overdue vacation on the Kentish Coast in order to come to terms with his loss. Still as haunting and unsettling as when I first saw it on TV. Travelling or based outside United States? Another reviewer said it was 'dark' and I have to agree, but mostly in the physical sense. You can't make a loving relationship into something horrible and lethal without explanation. But unfortunately, this "horror" story plods along so slowly that at times you almost wish that you could trade places with his dementia-filled wife who just sits there staring blankly, something that you'll soon find yourself doing after about 30 minutes. This film also contains a mystery! Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. I could only approach it then on its own merits whilst obviously recognising that the story had been relocated to the present-day. I am a fan of MR James but his work has never been translated well to TV. I'm not sure what to say about this film. He is seemingly the victim of supernatural revenge. Actors were all fine. Telling the same story is surely the point of the exercise: if there is little point in retreading ground well-covered in the past, this, surely, is proof that the endeavour was unnecessary in the first place.Cashing in on a popular title is perhaps the greatest offence and indeed irony, since the Cross script under the direction of Euros Lyn does deliver its own chilling moments. I remembered catching this TV movie many years ago and there was something about the beach setting and slow brooding atmosphere of it that stayed with me but I couldn't for the life of me remember the name, I recently found and rewatched this small gem again on prime and was happy to say it didn't disappoint. The BBC had a tradition of making some exceptionally spooky TV movie ghost stories based on the writings of M. R. James back in the 1970s – and WHISTLE AND I'LL COME TO YOU is their latest attempt to recall those much-loved classics. So there you have it. And the front door of 165 Eaton Place is once again thrown open for the reincarnation of Upstairs Downstairs (BBC1, Boxing Day). Most of us already know that. a masterclass in how to captivate. Reviewed in the United Kingdom on February 10, 2020, Reviewed in the United Kingdom on June 26, 2018. He plays the Scrooge figure in Steven Moffat's clever remix of A Christmas Carol. Reviewed in the United Kingdom on June 17, 2017, Reviewed in the United Kingdom on March 13, 2014, One of my all time favourite ghost stories in a film that scares me still, watch at Christmas on a windy night you will love it. More info, My book on Neil Jordan's Gothic horror, 'The Company of Wolves' (2017, Auteur), My first book, a guide to the films of Dario Argento (2010, Oldcastle Books), Interview with the BFI’s Sam Dunn and Rhidian Davis, Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento, Subversive Horror Cinema: Countercultural Messages of Films from Frankenstein to the Present, Your Vice Is A Locked Room And Only I Have The Key, Don’t Go In the Backwoods: Rural Rampages and the Horror Film, Giallo crimen sexualidad y estilo en el cine de género italiano, Lemora – A Child’s Tale of the Supernatural, Nope Nothing Wrong Here: The Making of Cujo, Sargasso: The Journal of William Hope Hodgson Studies, The Turn To Gruesomeness In American Horror Films 1931-1936.
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